{"id":439,"date":"2014-05-25T21:45:00","date_gmt":"2014-05-25T21:45:00","guid":{"rendered":"http:\/\/cinnamonstudio.com\/blog\/2014\/05\/25\/prehistoric-and-early-textiles-references-by-elizabeth-wayland-barber-2\/"},"modified":"2014-05-25T21:45:00","modified_gmt":"2014-05-25T21:45:00","slug":"prehistoric-and-early-textiles-references-by-elizabeth-wayland-barber-2","status":"publish","type":"post","link":"https:\/\/cinnamonstudio.com\/blog\/2014\/05\/prehistoric-and-early-textiles-references-by-elizabeth-wayland-barber-2.html","title":{"rendered":"Prehistoric and Early Textiles References by Elizabeth Wayland Barber"},"content":{"rendered":"<div dir=\"ltr\" style=\"text-align: left;\">\n<div>\nElizabeth Wayland Barber<\/div>\n<div>\n<\/div>\n<div>\nWhen I began my journey through textile history I quickly<br \/>\nrealized there were several paths one could take. I could see the advantage in<br \/>\nspecializing in one particular area such as costume, or one particular period<br \/>\nof time, such as medieval textiles.&nbsp; For<br \/>\nme, the problem with that approach is that you then sacrifice the overall<br \/>\npicture of how everything (history, culture, economics, climate\u2026everything)<br \/>\ninteracts.&nbsp; Sort of not seeing the<br \/>\nforest.&nbsp; I felt I would be better served<br \/>\nwith an overall study, if, then, later I could specialize. Following the<br \/>\nexample of art history where one is introduced to art from prehistoric to<br \/>\ncontemporary ( sort of Art History 101).&nbsp;<br \/>\nI began categorizing my research into time periods, each of which was subdivided<br \/>\n.&nbsp; I have to confess I continued to<br \/>\ncollect information on any aspect of textile history, attending any workshops<br \/>\nand lectures, classes and museum exhibits that I could find.&nbsp; Slowly, I was able to make some organization<br \/>\nof all the materials and now I can file information and actually find relevant<br \/>\nmaterial for lectures etc.<\/div>\n<div>\n<\/div>\n<div>\nStarting with my Textile History 101, I found the works of<br \/>\nElizabeth Wayland Barber, a professor of linguistics and archeology.&nbsp; Her work with prehistoric and early textiles<br \/>\nis so very impressive and her reference books provide information that is<br \/>\neasily understood, despite their academic format.&nbsp; Valuable sections of bibliographies, notes and lists of<br \/>\nadditional readings allow further research, if necessary.&nbsp; I have turned to her expertise time and<br \/>\nagain over the years.<\/div>\n<div>\n<\/div>\n<div>\nI have been fortunate to have attended several lectures by<br \/>\nMs Barber.&nbsp; She is an energetic,<br \/>\nknowledgeable, and great speaker and I thank her for contributing&nbsp; to my foundation of textile studies. <\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"http:\/\/2.bp.blogspot.com\/-db1xoS-PBdM\/U4JiDNts_cI\/AAAAAAAABzY\/StGWfPLCasc\/s1600\/EWB+3.jpg\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/-db1xoS-PBdM\/U4JiDNts_cI\/AAAAAAAABzY\/StGWfPLCasc\/s1600\/EWB+3.jpg\" height=\"400\" width=\"318\" \/><\/a><\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\nPrehistoric Textiles: &nbsp;The Development of Cloth in the Neolithic and Bronze Ages, E. W. Barber, Princeton University press, 1991<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"http:\/\/3.bp.blogspot.com\/-m4toDX1FCZs\/U4Jh6YhGKWI\/AAAAAAAABzE\/Gs6R6juANw8\/s1600\/EWB+1.jpg\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/-m4toDX1FCZs\/U4Jh6YhGKWI\/AAAAAAAABzE\/Gs6R6juANw8\/s1600\/EWB+1.jpg\" height=\"400\" width=\"267\" \/><\/a><\/div>\n<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br \/>\nWomen&#8217;s Work : The First 20,000 Years,<br \/>\nE. W. Barber, W.W. Norton &amp; Co., NY, 1994<\/p>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"http:\/\/3.bp.blogspot.com\/-D7DZtlrA4KU\/U4Jh-uoEuTI\/AAAAAAAABzM\/wxO9nsGyYgk\/s1600\/EWB+2.jpg\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/-D7DZtlrA4KU\/U4Jh-uoEuTI\/AAAAAAAABzM\/wxO9nsGyYgk\/s1600\/EWB+2.jpg\" height=\"400\" width=\"302\" \/><\/a><\/div>\n<p>The Mummies of Urumchi, E. W. Barber, W.W. Norton &amp; Co., NY,1999<\/p>\n<div style=\"clear: both; text-align: center;\">\n<\/div>\n<p><!--[endif]--><\/p>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<!--[if !supportEmptyParas]-->&nbsp;&nbsp;<\/div>\n<div>\n<o:p><\/o:p><\/div>\n<div>\nOther works by E\/W.B.:&nbsp;<br \/>\nWorld Textiles<\/div>\n<div>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;When They Severed the<br \/>\nEarth from the Sky<\/div>\n<div>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;The Dancing Goddesses<\/div>\n<p><\/p>\n<div>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;Resplendent<br \/>\nDress from Southeastern Europe&nbsp;<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Elizabeth Wayland Barber When I began my journey through textile history I quickly realized there were several paths one could take. I could see the advantage in specializing in one particular area such as costume, or one particular period of time, such as medieval textiles.&nbsp; For me, the problem with that approach is that you&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-439","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/comments?post=439"}],"version-history":[{"count":0,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/439\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/media?parent=439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/categories?post=439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/tags?post=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}