{"id":424,"date":"2014-09-07T19:16:00","date_gmt":"2014-09-07T19:16:00","guid":{"rendered":"http:\/\/cinnamonstudio.com\/blog\/2014\/09\/07\/judy-chicago-2\/"},"modified":"2014-09-07T19:16:00","modified_gmt":"2014-09-07T19:16:00","slug":"judy-chicago-2","status":"publish","type":"post","link":"https:\/\/cinnamonstudio.com\/blog\/2014\/09\/judy-chicago-2.html","title":{"rendered":"Judy Chicago"},"content":{"rendered":"
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\nJudy Chicago<\/div>\n
\n<\/div>\n
\nSeveral weeks ago I heard, on an early morning news show,
\nthat some young women today feel that the so-called third wave of feminism is
\nnot really relevant.  The first \u201cwave\u201d
\nwas, of course, in the 20\u2019s, the second was the 60\u2019s and 70\u2019s.  Surely, there has been great progress but
\nthere are still areas of inequality to be addressed and I spent some time
\nreflecting upon the leaders of the feminist movement in my lifetime.<\/div>\n
\n<\/div>\n
\nOne woman I have admired throughout the decades is Judy
\nChicago.  Born, Judy Cohen, in 1939, she
\nadopted the name of her home town and rose among the ranks of both the arts and
\nthe feminist movement.   As an artist,
\nChicago fought the images of men as artists and women as crafts-persons.  She sought to empower women to excel is all
\naspects of art creation and became known as a champion in “process”, by which I
\nmean, the actual making of the art project using whatever necessary methods appropriately
\nand with expertise.  No technique was
\ntoo difficult to master, whether using automotive spray painting methods to
\nachieve an effect or learning china painting for her famous Dinner Party
\ninstallation.  If \u201cGod is in the
\nDetails\u201d (Mies van der Rohe), then Chicago\u2019s works are divine.    <\/div>\n
\n<\/div>\n
\nTwo of her installations featured vast pieces of needlework .  Probably, The Dinner Party comes to mind
\nfirstly, because of its sheer scale and well as its message (and, at times shocking
\npresentation).  The Dinner Party was an
\nexamination of women\u2019s history.<\/div>\n
\n<\/div>\n
\n\u201cThe Dinner Party consists of an open, triangular table, 46
\n\u00bd feet on each side.   The table, which
\nis covered with fine white cloths edges in gold…. Contains thirty-nine place
\nsettings- thirteen on each of the three wings. 
\nThe number thirteen refers to the number of guests present at the Last
\nSupper and the numbers of members in a witches\u2019 coven\u2026.Each place setting
\nincludes a fourteen inch china-painted plate\u2026a set of lustered ceramic
\nflatware, a lustered and gold ceramic chalice, a napkin with an embroidered
\nedge. These rest upon an embroidered runner which incorporates the needlework
\nstyle and techniques of the time each woman (dinner guest) lived. ” (Embroidering Our Heritage)<\/div>\n
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\n<\/a><\/div>\n

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\n<\/div>\n
\nEmbroidering Our Heritage: The Dinner Party Needlework, Judy Chicago, Archer Press\/Doubleday, Garden City, NY, 1980<\/div>\n
\n<\/div>\n
\nThis is a very impressive reference of the project which describes in great detail Chicago’s technical drawings and their symbolism, the history of the women guests and the times they lived.  The needle techniques are illustrated and there are many photos of the finished textiles.<\/div>\n
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\nBegun in 1974 with the assistance of 400 artist
\ncontributors, The Dinner Party installation opened at the San Francisco Museum
\nof Modern Art in 1979. It now resides in the Brooklyn Museum.<\/div>\n
\n<\/div>\n
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\nJudy Chicago: The Birth Project, Doubleday, Garden City, NY, 1985<\/div>\n
\n<\/div>\n
\nThis publication reads like a journal of the project.  There are diary entries documenting each step.  There are many photos and illustrations of the needlework as well as explanations of Chicago’s textile designs.  <\/div>\n
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\n<\/o:p><\/div>\n
\nThe second installation (rather a series of small
\ninstallations) is Chicago\u2019s Birth Project, for which Chicago designed more than
\n150 fiber and textile works (only \u00bd were actually completed) \u201cIn the Birth
\nProject, the content, birth, the essential female experience- fused with
\nneedlework, a traditional form of women\u2019s art.\u201d (The Birth Project)<\/div>\n
\n<\/div>\n
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<\/p>\n

\nChicago has resided in Belen, New Mexico for thirty years
\nand the New Mexico Museum of Art is featuring her works here in an exhibition:
\nLocal Color, Judy Chicago in New Mexico 1984-2014.<\/u> <\/div>\n
\n ( through October 12, 2014)      There is an excellent biography of  Chicago in El Palacio, the publication of the Musem of New
\nMexico Foundation.<\/div>\n
\n<\/div>\n
\n<\/div>\n
\n<\/a><\/div>\n
\nCover: Peeling Back, 2000, Judy Chicago<\/div>\n
\n<\/div>\n
\nEl Palacio: Art, History, and Culture of the Southwest.Spring 2014, Vol.119\/No.1<\/div>\n
\nEl Palacio is available as subscription or as a benefit of membership.  <\/div>\n
\nelpalacio@state.nm.us<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Judy Chicago Several weeks ago I heard, on an early morning news show, that some young women today feel that the so-called third wave of feminism is not really relevant.  The first \u201cwave\u201d was, of course, in the 20\u2019s, the second was the 60\u2019s and 70\u2019s.  Surely, there has been great progress but there are…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-424","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":0,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/424\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/media?parent=424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/categories?post=424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/tags?post=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}