{"id":381,"date":"2015-08-09T19:10:00","date_gmt":"2015-08-09T19:10:00","guid":{"rendered":"http:\/\/cinnamonstudio.com\/blog\/2015\/08\/09\/costume-magic-2\/"},"modified":"2015-08-09T19:10:00","modified_gmt":"2015-08-09T19:10:00","slug":"costume-magic-2","status":"publish","type":"post","link":"https:\/\/cinnamonstudio.com\/blog\/2015\/08\/costume-magic-2.html","title":{"rendered":"Costume Magic"},"content":{"rendered":"<div dir=\"ltr\" style=\"text-align: left;\">\n<div>\n<span style=\"font-size: large;\">Costumes for Opera<\/span><\/div>\n<div>\n<\/div>\n<div>\n<span style=\"font-size: large;\">I have been looking through a small box of fabric scraps,<br \/>\nintending to use some for a project I am designing.&nbsp; These are no ordinary scraps.&nbsp;<br \/>\nI had been collecting these tiny treasures for years when I visited San<br \/>\nFrancisco and a fabulous fabric emporium on a small side street near Union<br \/>\nSquare.&nbsp; Of course they carried a very<br \/>\nwide range of fabrics for every sewing need, but I was interested in their<br \/>\ncollection of extravagant, luxury fabrics, many of which were imported.&nbsp; I did not need, nor could I afford, to buy<br \/>\nyardage, but I would spend much time sorting through containers of very small<br \/>\nscraps.&nbsp; For a few dollars, I could<br \/>\npurchase bits and pieces of heavily embroidered, jewel encrusted silks and<br \/>\nvelvets, whispery tulles and beautiful laces.<\/span><\/div>\n<div>\n<\/div>\n<div>\n<span style=\"font-size: large;\">On one visit as I was entranced by rolls of these fabrics,<br \/>\nafraid to even touch them, an assistant&nbsp;<br \/>\napproached , possibly thinking I had a credit card limit in the<br \/>\nastronomical range.&nbsp; She told me of her<br \/>\nlast customer who had purchased rolls of these fabrics for use by the costume<br \/>\ndepartment of the San Francisco Opera.&nbsp;<br \/>\nOf course, this was the perfect use for these magical textiles.<\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"http:\/\/2.bp.blogspot.com\/-SDvX_yWtKWk\/Vcei-MADktI\/AAAAAAAACbI\/6pNDI2BWyyU\/s1600\/opera.jpg\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"400\" src=\"http:\/\/2.bp.blogspot.com\/-SDvX_yWtKWk\/Vcei-MADktI\/AAAAAAAACbI\/6pNDI2BWyyU\/s400\/opera.jpg\" width=\"332\" \/><\/a><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\">Opera Themes and Plots, Rudolph Fellner, Simon and Schuster, New York, 1958&nbsp;<\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\">As I thought about that visit and the sales attendant\u2019s<br \/>\nstory about the opera, I remembered an article I have saved from Threads<br \/>\nMagazine, Oct\/Nov 2011 entitled \u201cBehind the Scenes at the Metropolitan<br \/>\nOpera.&nbsp; Written by Kenneth D. King, it<br \/>\nwas the behind-the scenes world of the costume and design department with a<br \/>\nstaff of 100. When one thinks of the operatic experience it is the combination<br \/>\nof magnificent music, superb vocalists and theater.&nbsp; It is a performance which tells a story. The magic is enhanced by<br \/>\nthe spectacular scenery and costumes.&nbsp;<br \/>\nWhether the performance is traditional or a modern adaptation, the<br \/>\nperformers must evoke their characters and this is achieved visually (through<br \/>\ncostumes and scenery) as well as vocally.<\/span><\/div>\n<div>\n<\/div>\n<p><\/p>\n<div>\n<span style=\"font-size: large;\">The design staff of any costume department has many highly<br \/>\nskilled artisans.&nbsp; The workshops are<br \/>\nfilled with tailors and seamstresses, drafts-men and. pattern-makers with<br \/>\nyears of experience.&nbsp; While the drapers<br \/>\nand cutters calculate the fabrics required, it is the<br \/>\nshoppers that tour the world searching for not only the required fabrics for a<br \/>\nspecific performance, but also for inspirations, which might appear in later<br \/>\ncreations.&nbsp; This would be my dream job,<br \/>\ntraveling and sourcing trims and fabrics.&nbsp; &nbsp;<\/span><\/div>\n<div>\n<span style=\"font-size: large;\"><br \/><\/span><\/div>\n<div>\n<span style=\"font-size: large;\">This is not to be, I fear. &nbsp;I must remain content to dress myself for a night at the opera.<\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Costumes for Opera I have been looking through a small box of fabric scraps, intending to use some for a project I am designing.&nbsp; These are no ordinary scraps.&nbsp; I had been collecting these tiny treasures for years when I visited San Francisco and a fabulous fabric emporium on a small side street near Union&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-381","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":0,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/381\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/media?parent=381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/categories?post=381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/tags?post=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}