{"id":362,"date":"2016-01-17T18:23:00","date_gmt":"2016-01-17T18:23:00","guid":{"rendered":"http:\/\/cinnamonstudio.com\/blog\/2016\/01\/17\/alexander-girard-2\/"},"modified":"2016-01-17T18:23:00","modified_gmt":"2016-01-17T18:23:00","slug":"alexander-girard-2","status":"publish","type":"post","link":"https:\/\/cinnamonstudio.com\/blog\/2016\/01\/alexander-girard-2.html","title":{"rendered":"Alexander Girard"},"content":{"rendered":"<div dir=\"ltr\" style=\"text-align: left;\">\n<div>\nAlexander Girard&nbsp;&nbsp;<br \/>\n1907-1994<\/div>\n<div>\n<\/div>\n<div>\n\u201cArt is only art when it is synonymous with living.\u201d<\/div>\n<div>\n<\/div>\n<div>\nIt is mid January and we are in the midst of winter here in<br \/>\nNorth America.&nbsp; Even Santa Fe, which is<br \/>\nusually not bitter cold has seen a blast of chilling winds and snow.&nbsp; It is a perfect time to spend an afternoon<br \/>\n(or two) at a museum.. We are blessed with many fine museums and galleries,<br \/>\nhere, and one of my favorites, of which I often write, is The International<br \/>\nFolk Art Museum.<\/div>\n<div>\n<\/div>\n<div>\nOne wing of the museum was designed in 1981 (opened in 1982)<br \/>\nby Girard to house the Girard Family Foundation Collection of Folk Art.&nbsp; Over 100,000 pieces collected by Girard and<br \/>\nhis wife, Susan, are in the collection and are on view, many displays&nbsp; were designed by Girard himself.&nbsp; <\/div>\n<div>\n<\/div>\n<div>\nThis fascinating array of folk art from around the world<br \/>\ncannot be appreciated in a single viewing.&nbsp;<br \/>\nIndeed, every time I visit I find objects that I had overlooked.&nbsp; Small ceramic pieces arranged in a depiction<br \/>\nof village life, fiber flowers, and, of course, examples of very fine<br \/>\ntextiles.&nbsp; These objects were not<br \/>\ncreated in factories, nor manufactured in lots of thousands to be sold on the<br \/>\nopen market.&nbsp; Rather, each has been<br \/>\ncreated by craftsmen and represent the artistic considerations of their ethnic<br \/>\nbackgrounds.<\/div>\n<div>\n<\/div>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"http:\/\/1.bp.blogspot.com\/-5NW24pU_yhA\/Vpfigu5KCbI\/AAAAAAAACjo\/ZXq-O-8oe9c\/s1600\/Girard%2B1.jpg\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"330\" src=\"http:\/\/1.bp.blogspot.com\/-5NW24pU_yhA\/Vpfigu5KCbI\/AAAAAAAACjo\/ZXq-O-8oe9c\/s400\/Girard%2B1.jpg\" width=\"400\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">The Spirit of Folk Art<br \/>The Girard Collection at the Museum of International Folk Art<br \/>Henry Glassie, Harry N. Abrams, Inc., NY, in association with the Museum of New Mexico, Santa Fe<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<\/div>\n<div>\nWhile Girard is known as a great collector of folk art,<br \/>\nthere is another aspect to this man\u2019s contributions to the field of art<\/div>\n<div>\n<\/div>\n<div>\nHe is probably one of the least known, but at the same time<br \/>\n, one of the finest designers of textiles in modern times.&nbsp; Born in New York, he was raised in Italy<br \/>\nwhere he studied architecture.&nbsp;<br \/>\nEventually, he moved to Detroit and worked as a designer for Ford and<br \/>\nLincoln Motors and as a color consultant for General Motors.<\/div>\n<div>\n<\/div>\n<div>\nFortunately for us New Mexicans, he and his wife, Susan<br \/>\nmoved to Santa Fe in 1952 and became the director of textile designs for Herman<br \/>\nMiller until 1973.&nbsp; His designs reflect<br \/>\nhis training in architecture and are known for his explosive use of color.&nbsp; He designed over 300 textiles, as well as,<br \/>\nwallpapers and decorative prints, furniture and other decorative objects.&nbsp;<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"http:\/\/1.bp.blogspot.com\/-W3jLLTNi8Lo\/VpfjVTl8lGI\/AAAAAAAACjw\/Iojlcl_VegQ\/s1600\/Girard%2B3.jpg\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"http:\/\/1.bp.blogspot.com\/-W3jLLTNi8Lo\/VpfjVTl8lGI\/AAAAAAAACjw\/Iojlcl_VegQ\/s640\/Girard%2B3.jpg\" width=\"408\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">Plazzo, 1976<br \/>Alexander Girard<br \/>collection of the Art Institute of Chicago<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"clear: both; text-align: center;\">\n<span style=\"text-align: left;\"><br \/><\/span><\/div>\n<div style=\"clear: both; text-align: center;\">\n<span style=\"text-align: left;\">One of his designs was issued in<br \/>\ncollaboration with Jack Lenor Larsen (in fact this was the only Girard design<br \/>\nLarsen produced).&nbsp; Entitled \u201cPalazzo\u201d,<br \/>\nthis piece was unique in several ways.&nbsp;<br \/>\nIt was a triptych of a European city featuring stylized buildings,<br \/>\nbridges and archways.&nbsp; Instead of using<br \/>\nvibrant color, this piece, intended as a furnishing fabric, was screen-printed<br \/>\nin white and shades of brown on a brown linen ground fabric.&nbsp; The textile was given by Larsen, from his<br \/>\ncollection, to the Art Institute of Chicago and was featured in an exhibition&nbsp;<\/span><\/div>\n<div style=\"clear: both; text-align: center;\">\n<span style=\"text-align: left;\">\u201cThe 20<\/span><sup style=\"text-align: left;\">th<\/sup><span style=\"text-align: left;\">-Century Textile Artist\u201d in 1999 at the Institute.<\/span><\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"http:\/\/2.bp.blogspot.com\/-yesnjklkiwg\/VpfkPTIbTbI\/AAAAAAAACj8\/ofAXwgdaxCM\/s1600\/Girard%2B2.jpg\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"http:\/\/2.bp.blogspot.com\/-yesnjklkiwg\/VpfkPTIbTbI\/AAAAAAAACj8\/ofAXwgdaxCM\/s640\/Girard%2B2.jpg\" width=\"259\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">Christa C. Thurman, Curator of Textiles<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<\/div>\n<div>\nThe Herman Miller collection is reissuing some of Girard<br \/>\ntextile designs.&nbsp; <\/div>\n<div>\n<\/div>\n<div>\nAlso, Girard Studio was created by the Girard family to<br \/>\n\u201cpreserve and promote the design legacy and archive of Alexander Girard\u201d.&nbsp; Its mission is \u201cReintroducing Girard to the<br \/>\npublic\u201d.<\/div>\n<div>\n<\/div>\n<div>\n<\/div>\n<p><\/p>\n<div>\nOf interest to those of us dining in Santa Fe, the interior<br \/>\nof the famous Compound restaurant was designed&nbsp; by<br \/>\nGirard in 1966.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alexander Girard&nbsp;&nbsp; 1907-1994 \u201cArt is only art when it is synonymous with living.\u201d It is mid January and we are in the midst of winter here in North America.&nbsp; Even Santa Fe, which is usually not bitter cold has seen a blast of chilling winds and snow.&nbsp; It is a perfect time to spend an&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-362","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/comments?post=362"}],"version-history":[{"count":0,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/posts\/362\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/media?parent=362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/categories?post=362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinnamonstudio.com\/blog\/wp-json\/wp\/v2\/tags?post=362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}